Vrni se Vrni   (Macédoine)
 
PRONUNCIATION: VER-nee seh VER-nee
 
TRANSLATION: Return to me, return
 
SOURCE: Atanas Kolarovski introduced this dance to folk dancers in the United States in the late 1960s.
 
BACKGROUND: Vrni se Vrni is from the Vardar Valley and takes its name from the song "Vrni se, vrni, libe Marice" in which a rejected lover pleads to his love to come back to him.
 
MUSIC: Festival (45rpm) F-4005
Jugoton (LP) LPY-V-701
Voyager AK-001 (LP) VRLP-402
 
FORMATION: Open cir of mixed M and W with hands joined and held at shldr level with elbows bent in W pos.
 
METER/RHYTHM: 2/4
 
STEPS/STYLE: Fig I is danced in a slow, deliberate manner using 2 meas for each basic motif.

SYNCOPATED TWO-STEP: Described here for meas 1-2 of Fig I.
Rise slightly on ball of L with straight L knee and extend toe of R in LOD to where you plan to step (bt 8 of previous motif);

1-2 Facing diag R and moving CCW in LOD, step R bending R knee slightly (bt 1); step on ball of L near back of R heel pressuring up onto L so that both knees are straight (bt 4); step R bending R knee slightly (bt 5); rise slightly on ball of R with straight R knee and extend toe of L in LOD to where you plan to step (bt 8);
3-4 Repeat action of first meas in same dir but with opp ftwk.
 
  OFFBEAT WALK: Not "unconventional or eccentric" but meaning not on the main beat. This step is danced during the walking part in Fig I. Described here for meas 5-8, the action is similar in meas 13-24.
5-6 Facing diag R and moving in LOD, rise slightly on ball of L with straight L knee and extend toe of R in LOD to where you plan to step (bt 1); step R bending R knee slightly (bt 2); repeat action of bts 1,2 in same dir with opp ftwk (bts 5,6);
7-8 Rise slightly on ball of L with straight L knee and extend toe of R in LOD to where you plan to step (bt 1); turning to face ctr, step R bending knee slightly (bt 2); rise on ball of R while raising bent L knee in front with L ft in front of R shin (ct 5); hold.
 
  LIFT: A low hop in which the ball of ft does not leave the floor.
 
  Movements are soft, without stiffness or jerkiness.
 

MEAS MOVEMENT DESCRIPTION

 
1-16 INTRODUCTION (Instrumental) - No action.
 
I.  SLOW PART (Vocal)
 
1-4 Facing diag R and moving in LOD, dance two Syncopated Two-steps R;
5-8 Offbeat Walk R.
9-12 Facing diag L and moving in RLOD, dance two Syncopated Two-steps L;
13-16 Offbeat Walk L.
17-20 Offbeat Walk R;
21-24 Offbeat Walk L.
 
II.  FAST PART (Instrumental)
 
1 Bringing joined hands down to sides in "V" pos and facing and moving CCW to R in LOD, hop L as R reaches out to R (ct 1); step R (ct &); step L (ct 2);
2 Repeat action of meas 1.
3 Run RLR (cts 1&2);
4 Run LRL (cts 1&2).
5 Rise on L, pivoting to face ctr and raising bent R knee in front as joined hands are raised to ''W'' pos (ct 1); step R across L (ct 2);
6 Step L swd (ct 1); step R next to or behind L (ct 2);
7 Rise on R, raising bent L knee in front (ct 1); pause (ct 2);
8 Bringing hands down to "V" pos, step LRL in place (cts 1&2).
 
9-16 Repeat action of meas 1-8 except that hands ramain in ''W'' pos on meas 16 in preparation for the beg of the dance.
 
  Repeat entire dance from beg.
 

DESCRIPTIONS MACEDOINE            DESCRIPTIONS